Basic Information
| Field | Details |
|---|---|
| Name | Lucho Brieva |
| Nationality | Colombian |
| Born | c. 1965, Colombia |
| Residence | London, United Kingdom (from 2003) |
| Occupations | Sculptor, designer, musician |
| Active Years | 1990s–present |
| Notable Collaborators | Phil Manzanera (music), galleries and design clients in UK and Colombia |
| Known For | Cross-disciplinary practice in sculpture, interior/lighting design, music |
| Marital History | Chrissie Hynde (m. 1997; div. ~2002) Gina Bellman (m. ~2005; div. ~2007) |
| Children | No publicly verified children |
Early Path: From Colombia to a Cross-Disciplinary Practice
Lucho Brieva emerged from Colombia with the instincts of a maker—hands in materials, ear tuned to rhythm. By the 1990s he was building a reputation as a sculptor and designer who didn’t see borders between media. Metal, wood, light, and sound became his palette. The early phase of his career reads like a workshop diary: crafted objects, sculptural forms, and exploratory collaborations that stitched together visual and sonic sensibilities.
Even at the outset, the hallmarks of his style were clear: tactile surfaces, functional objects with poetic edges, and a willingness to treat music as a companion rather than a separate field. The result was a practice that felt lived-in and portable, ready to travel.
London and a Larger Canvas (from 2003)
A decisive pivot came with his relocation to London in 2003. That move expanded both his clientele and his creative circle. In the UK he shaped interiors and lighting while maintaining a sculptural studio practice. The city’s cultural density—galleries, workshops, music venues—provided a larger stage. Projects began to carry the marks of London’s eclectic design scene: industrial finishes softening into warm, human-scale pieces; lighting that sculpted space; installations with a musical logic.
For Brieva, London functioned like an amplifier. The work got bigger, bolder, more collaborative.
Music as a Parallel Path: The Corroncho Thread
Brieva’s most visible music-related endeavors revolve around his long-running association with guitarist and producer Phil Manzanera. The Corroncho projects (2010; follow-up in the mid-2010s) explored Latin-inflected storytelling, wry urban sketches, and collaborative textures. Whether contributing conceptually, visually, or musically, Brieva’s fingerprints can be felt in the projects’ playful hybridity—songs as small films; albums as art objects.
That sensibility also spilled into print and gallery collaborations tied to Manzanera’s world. The result is a portfolio where the border between an album, a print, and a sculptural object blurs—a shared language of wit, color, and craft.
Family Ties and Public Spotlight
Brieva’s name reached a broader mainstream audience through two high-profile marriages. He married Chrissie Hynde in 1997; the marriage concluded around 2002. Several years later, he married actress Gina Bellman, with reports placing the union around 2005 and the separation around 2007. These relationships drew attention, but they sit beside, not above, his artistic arc. There are no publicly verified records of children, and Brieva generally keeps personal details outside the studio doors.
Practice: Materials, Motifs, and Methods
- Materials and craft: Metalwork, wood, and mixed media—often with a designer’s eye for proportion and a musician’s sense of timing. Surfaces carry narrative; seams and welds are allowed to speak.
- Functional art: Lighting and interior pieces that bridge sculpture and utility, like stage props that refuse to exit after the performance.
- Musical adjacency: Album concepts, visual accompaniments, and collaborative projects that treat sound as texture and story.
Brieva’s objects feel lived-with, not simply looked-at. Many pieces imply touch—handles, hinges, and silhouettes that invite interaction. It’s design that performs.
Family and Relationships
| Person | Relationship | Key Dates | Notes |
|---|---|---|---|
| Chrissie Hynde | Spouse | m. 1997; div. ~2002 | Private ceremony reported; later separation. |
| Gina Bellman | Spouse | m. ~2005; div. ~2007 | Publicly cited in entertainment biographies. |
| Children | — | — | No publicly verified children reported. |
Selected Career Milestones
| Year/Period | Event or Project | Notes |
|---|---|---|
| c. 1965 | Birth in Colombia | Later identified publicly as Colombian. |
| 1990s | Early art/design practice | Sculpture, interiors, and collaborative work. |
| 1997 | Marriage to Chrissie Hynde | Publicly noted in music press at the time. |
| ~2002 | Separation/divorce from Hynde | Relationship concludes in early 2000s. |
| 2003 | Relocates to London | Expands into lighting/interior projects. |
| 2010 | Corroncho project release | Joint creative venture connected to Phil Manzanera. |
| mid-2010s | Corroncho follow-up and related prints | Renewed collaboration; gallery features. |
| 2018–2020s | Auction and gallery appearances | Sculptures and design pieces surface at sales. |
| 2023–2025 | Retrospective profiles and gallery mentions | Ongoing interest in his art and collaborations. |
Selected Works and Collaborations
| Category | Title/Type | Approx. Date | Role/Notes |
|---|---|---|---|
| Music | Corroncho | 2010 | Collaboration linked to Phil Manzanera projects. |
| Music | Corroncho 2 | mid-2010s | Follow-up with expanded storytelling textures. |
| Sculpture | Balance series (e.g., “Balance 4”) | late 2010s | Sculptural work seen in auction listings. |
| Design | Lighting/interior commissions | 2000s–2020s | Crosses function and sculpture for private clients. |
Style in Numbers
- 3 core disciplines braided together: sculpture, design, music.
- 2 high-profile marriages that raised public visibility.
- 1 major transatlantic relocation (2003) that catalyzed a broader practice.
- Decades of output across studios, stages, and galleries.
Reading the Work: Themes and Through-Lines
Brieva’s output often reads like a conversation between utility and lyricism. A lamp is a sculpture that glows; a print hums like a bassline; a song becomes a moving picture. The recurring through-line is human scale—objects that feel approachable, even when formally daring. There’s also a wink in much of the music-related work, a sense that art can be serious without being solemn.
In this frame, the personal milestones—well-known marriages, transcontinental moves—function less as headlines and more as footnotes to a studio-centered narrative. The heart of the story is the workbench.
Timeline Snapshot
| Date | Milestone |
|---|---|
| c. 1965 | Born in Colombia |
| 1990s | Builds early portfolio in art and design |
| 1997 | Marries Chrissie Hynde |
| ~2002 | Marriage to Hynde ends |
| 2003 | Settles in London |
| 2005–2007 | Married to Gina Bellman |
| 2010 | Corroncho project surfaces publicly |
| 2016 | Corroncho 2 expands the collaboration |
| 2018–2025 | Continued exhibitions, auctions, and features |
FAQ
Who is Lucho Brieva?
He is a Colombian-born sculptor, designer, and musician known for cross-disciplinary work in art, interiors, and music collaborations.
What is he best known for?
He is widely recognized for his art and design practice and for music collaborations connected to the Corroncho projects.
Where does he live and work?
He has been based in London since 2003, working across studios, galleries, and collaborative music spaces.
Was he married to Chrissie Hynde?
Yes, they married in 1997 and separated in the early 2000s.
Was he married to Gina Bellman?
Yes, they married in the mid-2000s and later divorced.
Does he have children?
There are no publicly verified records of children.
What is “Corroncho”?
Corroncho is a collaborative music project blending Latin-inflected storytelling with artful production and visual components.
What materials does he use?
His work commonly employs metal, wood, and mixed media, with frequent forays into lighting and interior objects.
When did his London period begin?
He relocated to London in 2003, a move that broadened his practice and collaborations.
Is his net worth publicly known?
No reliable public estimate exists; his visibility comes from creative output rather than financial disclosures.
